Abstract
Through an analysis of projects developed by Edward Gordon Craig, Loie Fuller, David Tudor and Klaus Obermaier, this article discusses the discoursive and technológical pressupositions of an poetics of performatization of space. It problematizes the implications for human agency when performance space is constructed so that the human being is inscribed into its dinamics in such a way that his/her agency is submitted to the discoursive logics of this space by means of an technology designed to know no boundaries anymore.
| Original language | English |
|---|---|
| Journal | URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS |
| Volume | 2 |
| Issue number | 38 |
| Pages (from-to) | 1-27 |
| Number of pages | 27 |
| ISSN | 1414-5731 |
| DOIs | |
| Publication status | Published - 24.09.2020 |
Research areas and keywords
- Critical history of technology and knowledge
- Dispositiv
- Ibernetic poetics
- Art and technology
- Digital media
- Cultural studies
- Media and communication studies
ASJC Scopus Subject Areas
- Visual Arts and Performing Arts
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