Abstract
From the point of view of musical tradition, playing a running machine is an antagonism to playing a musical instrument. As soon as the instrument contains a part of the score, either as a running program (as with a pianola, other musicautomata or digital software) or as a sounding music structure (a DJ's turntable or a sampler), the traditional division of composition and performance, which includes as an essential moment the independent interpretation of the structure defined in the score (the work), is broken through.
| Original language | English |
|---|---|
| Title of host publication | The Bloomsbury Handbook of the Anthropology of Sound |
| Editors | Holger Schulze |
| Number of pages | 18 |
| Place of Publication | New York |
| Publisher | Bloomsbury Academic |
| Publication date | 2021 |
| Edition | 1 |
| Pages | 59-76 |
| Article number | 3 |
| ISBN (Print) | 978-1-5013-3539-6 |
| ISBN (Electronic) | 978-1-5013-3542-6 |
| Publication status | Published - 2021 |
Research areas and keywords
- Music education
- Media and communication studies
Projects
- 1 Active
-
((audio)) Ästhetische Strategien
Großmann, R. (Project manager, academic), Pelleter, M. (Project staff) & Otto, A. (Partner)
01.10.97 → …
Project: Research
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