Abstract
If the study of public entrepreneurship is directed at processes of social transformation, then it invariably encounters the manifold experiments of contemporary art and their socio-political effects. This short paper seeks to throw this encounter into sharper relief. After contextualizing the relation of art and social transformation, an example of a recent artistic intervention is presented. In conclusion, it is argued that art’s paradoxical potential to identify and disidentify with forms of life offers fictions of the possible: ambiguous, performative and preliminary reorderings of what can be perceived, expressed and done.
| Original language | English |
|---|---|
| Journal | Journal of Management Inquiry |
| Volume | 24 |
| Issue number | 4 |
| Pages (from-to) | 445-449 |
| Number of pages | 5 |
| ISSN | 1056-4926 |
| DOIs | |
| Publication status | Published - 27.10.2015 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
Research areas and keywords
- Digital media
- aesthetics
- art
- International Institute of Political Murder
- public entrepreneurship
- Rancière
ASJC Scopus Subject Areas
- Strategy and Management
- Business, Management and Accounting(all)
- Management of Technology and Innovation
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