Abstract
With the concept of the “embedded artist,” Frances Whitehead developed urban design projects of varying scales, generating a series of linked civic initiatives that model a whole-systems, place-based approach. Artists were “embedded” in municipal workgroups to bring new perspectives to the daily work of the city, and artistic research and working methods were allowed to operate within and alongside the highly structured public planning processes. The chapter focuses on the cases of “Slow Cleanup” (Chicago, 2008–2012), the “606” (Chicago (2012–2016), “Diaspore” (Lima, Peru, 2009–2012), and Fruit Futures Initiative Gary (Gary, Indiana, since 2015).
| Original language | English |
|---|---|
| Title of host publication | Culture and Sustainable Development in the City : Urban Spaces of Possibilities |
| Editors | Sacha Kagan |
| Number of pages | 10 |
| Publisher | Taylor and Francis Inc. |
| Publication date | 05.08.2022 |
| Pages | 89-98 |
| ISBN (Print) | 9781032137001 |
| ISBN (Electronic) | 9781000627169 |
| DOIs | |
| Publication status | Published - 05.08.2022 |
Research areas and keywords
- Cultural Distribution/Cultural Organization
- Cultural studies
Fingerprint
Dive into the research topics of 'Chicago's embedded artist as double agent: An interview with Frances Whitehead'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver