Abstract
This article explores music as a medium of memory of anti-Nazi resistance looking at the Edelweißpiratenfestival, its connected events and multimedia publications. It explores how the festival provides platforms for the transgenerational transmission of memory, secures the continuing presence of the Edelweißpiraten's voices, and represents their ideals and spirit. It considers music’s roles as object and agent of memory, probes how music’s experiential and affective potential enables diverse agents to link past and present experiences, and shows how the memory plays into contemporary controversial issues in Germany and is used to counter racism and to promote an inclusive society.
| Original language | English |
|---|---|
| Journal | Popular Music and Society |
| Volume | 44 |
| Issue number | 2 |
| Pages (from-to) | 193-211 |
| Number of pages | 19 |
| ISSN | 0300-7766 |
| DOIs | |
| Publication status | Published - 03.2021 |
Bibliographical note
Funding Information:This research was supported by the German Research Foundation (DFG) as part of the project ?Sounding Memories - Nazi Persecution and Anti-Nazi Resistance in the Music of Contemporary Germany? (project no. 359573469).
Publisher Copyright:
© 2020 Informa UK Limited, trading as Taylor & Francis Group.
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
Research areas and keywords
- Music education
- Antifascism
- Edelweisspiraten
- resistance
- Germany
- memory
- Didactics of art education
ASJC Scopus Subject Areas
- Music
- Cultural Studies
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