Projects per year
Organisation profile
Organisation profile
Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.
Main research areas
Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.
The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.
Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice.
The Archipelago Lab also regularly invites contemporary artists and cultural producers.
The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.
With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.
Keywords
- Science of art
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Research collaborations from the last five years
Profiles
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Sebastián Eduardo Dávila
- Professorship of Contemporary Art - Research associate
Person: Academic staff
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LIAS-CAS: Leuphana Institute for Advanced Studies in Culture and Society
Leeb, S. (Project manager, academic)
01.06.22 → 31.05.27
Project: Research
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Language and Performance in the Work of Hollis Frampton
Breimaier, A. (Project manager, academic)
01.10.12 → …
Project: Dissertation project
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Wendländisches Leinen und Koloniales Erbe. Spurensuche einer transkulturellen Verflechtung im 18. und 19. Jahrhundert
Söntgen, B. (Partner), Leeb, S. (Partner), Kreiseler, S. (Project manager, academic) & Stamm, R. (Project staff)
01.10.23 → 30.09.25
Project: Research
Research output
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A Museology of Proximity: Heritage, Community, and Artistic Encounters in Livingston (Guatemala)
Eduardo Dávila, S. & Caris Seguel, C., 03.06.2026, In: Kritische Berichte. 2026, 2Research output: Journal contributions › Journal articles › Research › peer-review
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kritische berichte 2/26: The Gaze at the Ethnographic. Ethnography, Contemporary Art, and Heritage Communities
Eduardo Dávila, S. (Editor) & Alvarado-Cañuta, C. (Editor), 03.06.2026, Ulmer Verein - Verband für Kunst- und Kulturwissenschaften e.V. 100 p. (Kritische berichte - Zeitschrift für Kunst- und Kulturwissenschaften; vol. 54, no. 2)Research output: Books and anthologies › Special Journal issue › Research
Open Access -
To Gaze at the Ethnographic: Introduction
Eduardo Dávila, S. & Alvarado-Cañuta, C., 03.06.2026, In: Kritische Berichte. 54, 2, p. 1-6 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
Open Access
Activities
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Contemporary theater as revival: Religious celebration and spiritual performance in the work of Yuyachkani (Perú) and Grupo Sotz’il (Guatemala)
Eduardo Dávila, S. (Speaker)
27.05.2026Activity: Talk or presentation › Conference Presentations › Research
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“La Afroamericana Marimba”. Sonic Transmissions between Diaspora and Indigeneity in Modern and Contemporary Guatemala
Eduardo Dávila, S. (Speaker)
23.04.2026Activity: Talk or presentation › talk or presentation in privat or public events › Research
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Mesoamérica y las artes mayas del Grupo Sotz’il (Sololá, Guatemala)
Eduardo Dávila, S. (Speaker)
16.04.2026Activity: Talk or presentation › Conference Presentations › Research
Prizes
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20. Internationaler Kunstlehrstuhl der Bibliothek Luis Ángel Arango („Cátedra Internacional“), Bogotá, Kolumbien; Forschungsresidenz in Nuqui, Kolumbien
Leeb, S. (Recipient), 01.09.2018
Prize: external Prizes, scholarships, distinctions, appointments › Research
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Gastdozentin Université Abomey-Calavi, Benin
Leeb, S. (Recipient), 01.01.2014
Prize: external Prizes, scholarships, distinctions, appointments › Education
Press/Media
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Wo bleibt die Erfahrung? Das Kunstwerk des Monats: »Dambudzo« als Anti-Genre-Kunst von Nora Chipaumire
16.09.25
1 Media contribution
Press/Media
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Hypochondrische Spiralen. Die filmische Installation «Membran» von Max Philipp Schmid
06.05.18
1 Media contribution
Press/Media