The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces

Martina Leeker; Stephan Arnulf Baumgärtel; Talita Corrêa

doi:10.5965/14145731023820200044

The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces

Martina Leeker
, Stephan Arnulf Baumgärtel
, Talita Corrêa

Centre for Digital Cultures

Staatsuniversität Santa Catarina

Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › Begutachtung

Abstract

Through an analysis of projects developed by Edward Gordon Craig, Loie Fuller, David Tudor and Klaus Obermaier, this article discusses the discoursive and technológical pressupositions of an poetics of performatization of space. It problematizes the implications for human agency when performance space is constructed so that the human being is inscribed into its dinamics in such a way that his/her agency is submitted to the discoursive logics of this space by means of an technology designed to know no boundaries anymore.

Originalsprache	Englisch
Zeitschrift	URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS
Jahrgang	2
Ausgabenummer	38
Seiten (von - bis)	1-27
Seitenumfang	27
ISSN	1414-5731
DOIs	https://doi.org/10.5965/14145731023820200044
Publikationsstatus	Erschienen - 24.09.2020

Fachgebiete und Schlagwörter

Digitale Medien
Kulturwissenschaften allg.
Medien- und Kommunikationswissenschaft

ASJC Scopus Sachgebiete

Bildende und darstellende Künste

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10.5965/14145731023820200044Lizenz: CC BY

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The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces. / Leeker, Martina; Baumgärtel, Stephan Arnulf; Corrêa , Talita.
in: URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS, Jahrgang 2, Nr. 38, 24.09.2020, S. 1-27.

Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › Begutachtung

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N2 - Through an analysis of projects developed by Edward Gordon Craig, Loie Fuller, David Tudor and Klaus Obermaier, this article discusses the discoursive and technológical pressupositions of an poetics of performatization of space. It problematizes the implications for human agency when performance space is constructed so that the human being is inscribed into its dinamics in such a way that his/her agency is submitted to the discoursive logics of this space by means of an technology designed to know no boundaries anymore.

AB - Through an analysis of projects developed by Edward Gordon Craig, Loie Fuller, David Tudor and Klaus Obermaier, this article discusses the discoursive and technológical pressupositions of an poetics of performatization of space. It problematizes the implications for human agency when performance space is constructed so that the human being is inscribed into its dinamics in such a way that his/her agency is submitted to the discoursive logics of this space by means of an technology designed to know no boundaries anymore.

KW - Critical history of technology and knowledge

KW - Dispositiv

KW - Ibernetic poetics

KW - Art and technology

KW - Digital media

KW - Cultural studies

KW - Media and communication studies

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The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces

Abstract

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