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Provenance as accountability: Transparent and verifiable cataloguing for the digital age

Publikation: Beiträge in SammelwerkenKapitel

Abstract

This chapter proposes a strategic shift in provenance practice, moving from traditional pedigree models toward a digital framework of institutional accountability. While historical ownership records were often shaped by commercial interests and selective omissions, modern ethical mandates—driven by the 1998 Washington Principles and efforts toward repatriation and historical reconciliation—demand a scientific approach to transparency and verifiability. The chapter argues that current museum cataloguing remains limited by analogue concepts and unstructured free text data, which hinders the collective ability to identify looted, stolen, or unethically appropriated cultural property. To realize provenance as a collective tool of accountability, the text advocates for a decentralized system based on Linked Open Data (LOD) that integrates FAIR and CARE data principles. This framework utilizes VISU—a conceptual categorization of information that is vague, incomplete, subjective, or uncertain—to ensure that gaps and expert hypotheses are made explicit rather than hidden. By adopting a three-layered nanopublication structure, stable identifiers, and shared vocabularies, the cultural heritage community can transform provenance into a machine-readable, verifiable, and universally shareable resource.
OriginalspracheEnglisch
TitelResearch Handbook on Art, Culture and Heritage Law
Redakteure/-innenSophie Vigneron, Janet Ulph, Antoinette Maget Dominicé
Seitenumfang18
ErscheinungsortCheltenham
Herausgeber (Verlag)Edward Elgar Publishing
Erscheinungsdatum10.03.2026
Seiten444-461
ISBN (Print)9781800374218
ISBN (elektronisch)9781800374225
DOIs
PublikationsstatusErschienen - 10.03.2026

Bibliographische Notiz

Publisher Copyright:
© The Editors and Contributors Severally 2026.

Fachgebiete und Schlagwörter

  • Kulturinformatik
  • Kunstwissenschaft
  • Kulturwissenschaften allg.

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