Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational

Wolf Georg Zaddach

doi:10.1558/pomh.42894

Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational

Wolf Georg Zaddach^*

^*Korrespondierende/r Autor/-in für diese Arbeit

Hochschule für Musik Franz Liszt Weimar

Publikation: Beiträge in Zeitschriften › Rezensionen › Forschung

Abstract

Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. Oxford and New York: Berghahn Books, 2020. 140 pp. ISBN 978-1-78920-740-8 (hbk).

Originalsprache	Englisch
Zeitschrift	Popular Music History
Jahrgang	14
Ausgabenummer	1
Seiten (von - bis)	88-91
Seitenumfang	4
ISSN	1740-7133
DOIs	https://doi.org/10.1558/pomh.42894
Publikationsstatus	Erschienen - 08.12.2021
Extern publiziert	Ja

Bibliographische Notiz

Funding Information:
1. See the research project ‘Music Objects of Popular Culture’, funded by the German Federal Ministry of Education and Research (https://musikobjekte.wordpress.com/

Fachgebiete und Schlagwörter

Musik

ASJC Scopus Sachgebiete

Musik

Zugriff auf Dokument

10.1558/pomh.42894Lizenz: CC BY

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abstract = "Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. Oxford and New York: Berghahn Books, 2020. 140 pp. ISBN 978-1-78920-740-8 (hbk).",

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KW - transnational popular music

KW - West Germany

KW - Music education

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Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational

Abstract

Bibliographische Notiz

Fachgebiete und Schlagwörter

ASJC Scopus Sachgebiete

Zugriff auf Dokument

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